![]() For me, they also do a good job of blurring the lines between the very flat-looking games of the early 2000s and modern games without losing that retro edge. These post-processing effects give that old school look a really modern feel. While working on Warpips, we got a ton of mileage from just basic lighting and shadows, but also used modern post-processing effects like vignette, AO, and bloom. There’s no need for modern workflows that take advantage of PBR materials as most of the lighting on the object will be either unlit or, at best, use the old school Blinn Phong lighting model. When your entire texture is 32×32, you can cover a lot of ground by just hand-painting the object. Old-fashioned polygon modeling in 3ds Max or Blender, unwrapped to be hand-painted directly in Photoshop. We won’t use modern tools like ZBrush or Substance. But the transition from modern graphics to retro graphics lies in the workflow. The main principles are the same: form, shape, tone, color, silhouette. ![]() What is the key difference between creating a retro-style 3D model and a model for games with modern graphics? It is a tug-of-war strategy game that combines the feel of classic Comand & Conquer titles with the indirect control mechanics of the Nexus Wars map for StarCraft II.Warpips is one of them, which eventually turned into a standalone game published by Daedalic Entertainment.They all have full-time jobs at the studio behind Subnautica and Moonbreaker, but spend their spare time working on some side projects together. ![]()
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